Let our voices rise in Brava for 11 outstanding women
being honored by the YWCA. In a night to be remembered, our very own Sheryl Battles will be recognized for her outstanding leadership, drive and commitment to not only her peers but the community. For representing the core values of the YWCA, Mrs. Battles and ten other women, will be honored for all they have accomplished, and for the impact they have had upon all who they have touched.
Monday, December 7, 2015
Tuesday, December 1, 2015
Celebrate 100 Years of Frank Sinatra with John Pizzarelli at The Palace THIS Friday!
Gracing the stage of The Palace Theatre in beautiful downtown Stamford, CT. John Pizzarelli will be delighting all with not only the renditions of "Ol Blue Eyes" but of some Christmas classics as well. Having been interviewed by the Daily Voice and the Ct Post it is of note that stylistically he differs from his counterpart, but still knows how to make every note his own.
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| Pizzarelli featured in Sunday's edition of The Advocate |
Tuesday, September 22, 2015
Stamford is excited about Mark Twain Tonight!
Stamford is eagerly awaiting the return of the legendary Hal Holbrook in his Tony Award winning production of Mark Twain Tonight! 40 years after his first visit.
Want to learn more about what's in store before his performance Saturday, Sept. 26 at 8:00 pm? Here are some great articles covering why this show is a MUST SEE!
The Palace Blog - Mark Twain is BACK and Better Than Ever!
CT Post - Hal Holbrook as Mark Twain at Stamford Palace Theatre
Stamford Daily Voice - Stamford's Palace Hosting Actor Hal Holbrook in Trademark 'Twain' Role
Want to learn more about what's in store before his performance Saturday, Sept. 26 at 8:00 pm? Here are some great articles covering why this show is a MUST SEE!
The Palace Blog - Mark Twain is BACK and Better Than Ever!
CT Post - Hal Holbrook as Mark Twain at Stamford Palace Theatre
Stamford Daily Voice - Stamford's Palace Hosting Actor Hal Holbrook in Trademark 'Twain' Role
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| Look for this week's edition of "Pulse" in Stamford Advocate for an article about Hal Holbrook! |
See a teaser for Mark Twain Tonight!
So, what are you waiting for? Don't miss the opportunity to see Mark Twain come to life at The Palace!
Click Here to buy your tickets!
Click Here to buy your tickets!
Friday, September 4, 2015
Hal Holbrook's Mark Twain is BACK and Better Than Ever!
To kick off our Theatre Series, Hal Holbrook returns to The Palace in the role of his lifetime. On September 26, Holbrook joins us as Mark Twain in Hal Holbrook’s Mark Twain Tonight!
Holbrook uses letters and journal entries from Twain’s life
to give modern audiences an idea of the person behind the internationally
adored books. The show is biting, funny, and makes the audience feel like Mark
Twain is really standing there in front of them, talking about his life and his
work.
Holbrook, a critically acclaimed actor for his work on the
stage and on the screen, began this project in the early 1950s as a show where
he played various people from history, interviewed by his wife Ruby. Twain
quickly becoming a favorite of both Holbrook and the audience, the show morphed
into a one man show with Twain. The show premiered in 1954, and he toured
around various colleges and local theatres. He eventually was picked up by
producers and brought the show to New York in 1966. He earned a Tony Award for
Best Actor in a Leading Role in a Play, and an Emmy Award in 1967 for the
broadcasted version of the show.
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| Poster from Holbrook's original show |
The show is still evolving even fifty years after its
premiere. The original program from the 1959 Off-Broadway engagement included
the note “While Mr. Twain’s selections will come from the list below, we have
been unable to pin him down as to which of them he will do. He claims this
would cripple his inspiration. However, he has generously conceded to a printed
program for those who are in distress and wish to fan themselves.” This still
appears on programs for the show.
Thursday, July 30, 2015
Diary of a Triple Threat Performer - Part Two
We at The Palace Theatre could go on and on about the talented students that participate in our Arts-Education programs. We thought it was about time you hear about the experience directly from the source. Brandon Wolfe is an 18 year old student from Stamford who participated in our Triple Threat program for a second time. It wasn't easy, but with hard work and endless talent, the group put on a spectacular show for parents and friends to see!
This is Part Two of a two part journal chronicling his time in the Triple Threat program. Thank you Brandon, for sharing your experience!
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| Campers "break the mold" and rehearse for the big day! |
Thursday, July 23 - SANCTUARY
Today was probably the best day this week! We
finally got to put everything together and see how the show was going to go,
and my thoughts were: not too shabby! We got to hear almost everyone’s
prepared songs, but our teacher put a
little twist on it. After he listened to each person individually, he gave each of us a different exercise to
help our acting. Mine was push-ups (keep in mind I am not that strong and
instead of 16 bars I did 32). It helped a
lot, but I was pooped for the rest
of the day.
Then, we finally put the body percussion together (WHICH I FINALLY GOT!!!). We added free styles and as I was volunteered by the others, (this happens a lot at Triple Threat) I remembered that I can’t dance but I could sing. I decided to sing “You Can’t Stop the Beat” since we were, in fact, making beats. It didn’t fit into the time frame so I decided to speed it up double time.
As some of you may remember, I have an alternate name for that song: “You Can’t Stop to Breathe.” So, doing it twice as fast was interesting. By that day we had all came out of our shells, so the energy was up and we were all ready for tomorrow.
But the biggest problem had to focus on for the rest of the night was…what am I going to wear for the show?!
Then, we finally put the body percussion together (WHICH I FINALLY GOT!!!). We added free styles and as I was volunteered by the others, (this happens a lot at Triple Threat) I remembered that I can’t dance but I could sing. I decided to sing “You Can’t Stop the Beat” since we were, in fact, making beats. It didn’t fit into the time frame so I decided to speed it up double time.
As some of you may remember, I have an alternate name for that song: “You Can’t Stop to Breathe.” So, doing it twice as fast was interesting. By that day we had all came out of our shells, so the energy was up and we were all ready for tomorrow.
But the biggest problem had to focus on for the rest of the night was…what am I going to wear for the show?!
Friday, July 24 - ESTOOO!!!
So, today is the day of the show and by now we are all ready.
That’s the great thing about intensive programs; by the end of the week,
you learn so much that by Friday, it’s like you have been training for months
(I hope this is how college is). We have grown together quite nicely and I’m
really going to miss all of them.
The start of the day was basically just a recap and warm up so I’m not going to waste time going into that. I’m going to tell you about what you really want to hear about; the show.
For starters, the amount of energy and the lack of anxiety were impressive. I still don’t know why I, of all people, was not scared because I’m scared of everything. We messed up quite a few times but Luis (our main teacher) managed to cover it up and made it look like it was all on purpose. He presented us like he was teaching it right before their eyes.
One of my favorite solos that day was “Defying Gravity” (Wicked) when she performed it on Tuesday her exercise was to have everyone in the room laugh at her and discourage her because she was singing it to her classmates who were mean to her and she had to sing it like she was proving them wrong (which she did amazingly). This time, the audience had to discourage her (which they did rather well…) and we had to stand behind her as her as she represented us. I felt the most connection to her having because I have a similar story and decided instead of just standing behind her, we should encourage her. The rest of the kids joined in and you could hear the difference in how powerful her voice was she was asked why did that song her response told us of how bullied and how everyone doubted her and as she graduated middle school she finally overcame and let her confidence shine. If I ever see her again, I just hope she keeps that spirit because it took me until senior year of high school to get where she is now.
The start of the day was basically just a recap and warm up so I’m not going to waste time going into that. I’m going to tell you about what you really want to hear about; the show.
For starters, the amount of energy and the lack of anxiety were impressive. I still don’t know why I, of all people, was not scared because I’m scared of everything. We messed up quite a few times but Luis (our main teacher) managed to cover it up and made it look like it was all on purpose. He presented us like he was teaching it right before their eyes.
One of my favorite solos that day was “Defying Gravity” (Wicked) when she performed it on Tuesday her exercise was to have everyone in the room laugh at her and discourage her because she was singing it to her classmates who were mean to her and she had to sing it like she was proving them wrong (which she did amazingly). This time, the audience had to discourage her (which they did rather well…) and we had to stand behind her as her as she represented us. I felt the most connection to her having because I have a similar story and decided instead of just standing behind her, we should encourage her. The rest of the kids joined in and you could hear the difference in how powerful her voice was she was asked why did that song her response told us of how bullied and how everyone doubted her and as she graduated middle school she finally overcame and let her confidence shine. If I ever see her again, I just hope she keeps that spirit because it took me until senior year of high school to get where she is now.
P.S . if you are wondering what ESTOOO meant here’s the
story. Valeria, our body percussion teacher, was Italian with a very
thick accent and every time we did something right she would yell out ESTOO and
now all of us also yell ESTOOO.
Epilogue
One of the best quotes from this program that I will keep forever
is, “There is nothing enlightening about shrinking so that other people won’t
feel insecure around you.” This overall
was a great experience and I’m glad I got to do it. I like this quote because I
often held back in fear I might outshine someone or be too much but because of
it I always ended up falling short. I have learned that my light, talent energy
or whatever you want to call it is powerful and there is no use holding it
back.
Thank you to all of our camp participants for their hard work and dedication year after year! We look forward to the fantastic talent coming to next year's Triple Threat!
Wednesday, July 29, 2015
Diary of a Triple Threat Performer - Part One
We at The Palace Theatre could go on and on
about the talented students that participate in our Arts-Education
programs. We thought it was about time
you hear about the experience directly from the source. Brandon
Wolfe is an 18 year old student from Stamford who participated in our Triple Threat program for a second
time. It wasn't easy, but with hard work and endless talent, the group put on a spectacular show for parents and friends to see!
This is Part One of a two part journal chronicling his time in the Triple Threat program. Stay tuned for Part Two tomorrow!
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| Brandon Wolfe, seen in a yellow shirt, at Triple Threat week |
Monday, July 20 –
THE DAY HAS FINALLY COME
The first day of
Triple Threat was amazing. I must be honest, I had a little trouble keeping up
in the body percussion class, but I’ll catch up. It was a lot different from
when I did it two years ago. For starters, we did not split up by age group,
but it gave us a chance to help the younger kids and meet even more people.
These kids are very talented (they could probably give me a run for my money!),
and I look forward to the rest of the week with them.
Tuesday, July 21
– TIME TO CRANK THIS UP
So, today was
totally different from yesterday in many ways. We finally broke into groups,
but not by age. Yesterday, we broke into groups while still together for a body
percussion exercise. She gave us three different routines, and we split
ourselves based on what routine we felt most comfortable with. Today, we took
those groups and finally rotated between acting, singing and body
percussion.
I started off with acting and learned another poem, but mostly just got to learn about the people in my group better (my favorite part about small groups). Then, we went to body percussion practice. Remember how yesterday I said I would catch on to this body percussion thing? I was wrong. We added on to the dance we did yesterday, and it took me over 30 minutes to learn a dance that took less than 30 seconds to do. (Imagine if I had to do a whole song).
Then we went to my favorite subject; singing. We got a chance to sing 16 bars which is around 30 seconds to a minute of a song we were supposed to prepare for Monday. I forgot my sheet music, but luckily the teacher knew the song (“Proud of your Boy” from Aladdin). My favorite song sung by someone other than myself was “Naughty” from Matilda, sung by one of the most adorable little girls I’ve ever seen. She performed the song with the British accent like the soundtrack and could totally be “Matilda” on Broadway.
After lunch, we focused more on singing, but the bulk of the afternoon went to dance. We learned “Fame” which went great for the program but not so great for me. All the moves were super balletic and me who has not done ballet since I was 6 (don’t ask me why it was not my choice) was not ready. This dance is probably the second hardest dance I have ever done (right after “You Can’t Stop the Beat” from Hairspray which should have been called “You Can’t Stop to Breathe!”). However, I refuse to let a little dance slow me down, so I have a lot of practicing to do if I’m going to catch up.
I started off with acting and learned another poem, but mostly just got to learn about the people in my group better (my favorite part about small groups). Then, we went to body percussion practice. Remember how yesterday I said I would catch on to this body percussion thing? I was wrong. We added on to the dance we did yesterday, and it took me over 30 minutes to learn a dance that took less than 30 seconds to do. (Imagine if I had to do a whole song).
Then we went to my favorite subject; singing. We got a chance to sing 16 bars which is around 30 seconds to a minute of a song we were supposed to prepare for Monday. I forgot my sheet music, but luckily the teacher knew the song (“Proud of your Boy” from Aladdin). My favorite song sung by someone other than myself was “Naughty” from Matilda, sung by one of the most adorable little girls I’ve ever seen. She performed the song with the British accent like the soundtrack and could totally be “Matilda” on Broadway.
After lunch, we focused more on singing, but the bulk of the afternoon went to dance. We learned “Fame” which went great for the program but not so great for me. All the moves were super balletic and me who has not done ballet since I was 6 (don’t ask me why it was not my choice) was not ready. This dance is probably the second hardest dance I have ever done (right after “You Can’t Stop the Beat” from Hairspray which should have been called “You Can’t Stop to Breathe!”). However, I refuse to let a little dance slow me down, so I have a lot of practicing to do if I’m going to catch up.
Wednesday, July
22 - WHAT DID I GET MYSELF INTO?!
As the days go
by, this continues to get harder and harder. Those of you who are reading this may
know about “hell week” (the week leading up to a performance where the director
is scattered, everything is super busy and you stay really late 'til everything
is done) and the stresses that go with it. Now, imagine a “hell week" where you
not only have one week until the show, but the whole cast is brand new. As we
get closer to the performance, the dances get harder, there is more to memorize
and people become more distracted.
So,
today we started off with dancing and boy, was that something! We learned a new
dance for a song (“96,000” from In the
Heights) we had just learned that morning which is all still jumbled in my
head. We finally put the final parts together for the body percussion, which
I’m starting to get.
After lunch, we went back to dance FOR THE NEXT 2 HOURS!
It’s actually not hard to do two hours of dance, but when you wake up on the
wrong side of the bed with a pain in your neck and a cold, it becomes a bit
harder. We learned the rest of the dance to the song “Fame” from Fame which is so fast. The fact that I am 6’1" and I was 2 seconds from kicking someone in the face multiple times scares me. It
was a very tough day today.
Will Brandon make it through the week?
Tune in for Part Two tomorrow to find out!
Tune in for Part Two tomorrow to find out!
Wednesday, June 17, 2015
Trevor Noah Comes to The Palace, July 10!
TREVOR. NOAH.
Don’t know the name? Well, come September, you will. His charm, wit, and
lilting accent have already won the heart of Jon Stewart. Come July 10, he will
win 1500 more hearts as he
comes to The
Palace Theatre for one final
stand-up comedy show before
his career (and his star power) changes for the rest of his life when he takes over The Daily Show on
September 28. At 31 years old, he will be the youngest evening talk show host
on air, and will start his late-night talk-show career at an earlier age
than any other host currently on air.
Born in Johannesburg, South Africa, during Apartheid, Trevor’s Black and Jewish
South African Mother and White Swiss Father got married and had him illegally.
Eventually forced to split, Noah grew up with his mother and grandmother. His
mother remarried and had two more children. This stepfather, a Black South
African, abused Trevor’s mother and eventually threatened to kill Trevor
himself. The stepfather was eventually arrested and convicted. Trevor often
uses his story as a platform to raise awareness for
domestic violence.
Trevor with his mother.
At the age of 18, Trevor’s career quickly blossomed, first starring in
the South African Soap Opera Isidingo (while we couldn't find a clip of Noah in it,
here is a taste of the show to get an idea), then going on to host radio shows,
reality competitions, and various South African Award Shows. All the while, he
practiced and developed his comedy routine, performing with many famous South
African comedians and opening for Gabriel Iglesias, who has also performed at The Palace.
He then brought his comedy act to the United States, being the first
South African to perform on The Tonight Show and on The David Letterman Show, where he
showed off his comedy and language skills (he is fluent in six languages, and
is developing his German and Xhosa). This landed him the starring role in the
documentary You
Laugh But It’s True, which focused on the struggles of being a rising
comedian. After this and being the Roastmaster of Comedy central’s Roast
of Steve Hofmeyr, Trevor sealed his destiny and clinched a job as a
correspondent on Jon Stewart’s The
Daily Show.
As a correspondent, Trevor has appeared three times. In his debut, in a
section titled “Spot the Africa,” where he asked
Jon Stewart to compare photos, asking him which one was taken in African versus
taken in the United States. Jon lost every round, showing that Africa is just
as diverse in socioeconomic status, racial issues, and technological savvy as
the US. His then came back, in a segment called “Boko Haram in Nigeria.” Noah
then pointed out the countless tragedies that happen in Africa every day, and
how they often go unrecognized. Finally, via a game of Chess, Noah and Stewart
talk about how America often uses its monetary to buy their way to success in the segment "Chess News Roundup." Each
appearance more exciting than the other, Noah’s unique point of view caught the
attention of Jon Stewart and the rest of the country.
Trevor, during his first appearance on the Daily Show.
Trevor’s life, already so riveting, is about to reach its most exciting
chapter to date. Come see him as he does his last stand up work before his
Daily Show tenure begins.
(Note: Daily Show tickets may be free, but are almost impossible to
get. Just saying, it’s much
easier to come to this show at The Palace, and it will be just as
funny.)
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